AUTHOR

The Written Word

A collection of stories that delve into the human heart.

The Author's Purpose

An Act of Exploration

Writing, for me, is an act of exploration. It is a way to make sense of the world, to delve into the complexities of human relationships, and to give voice to the stories that linger just beneath the surface of everyday life. My novels are often set against backdrops of historical moment or intense psychological landscapes, but at their core, they are always about the search for connection and understanding.

With my forthcoming non-fiction work, I am turning that exploratory lens inward and toward the natural world, examining the profound lessons it has to teach us. The goal remains the same: to tell a story that is honest, resonant, and emotionally true.

A close-up photo of Candida Meyrick outdoors in the countryside at sunset. The warm, golden light illuminates her face as she looks towards the horizon. She has short brown hair and is wearing a warm tweed coat against a backdrop of rolling hills under a dusky sky.
The book cover for "Be More Bird" by Candida Meyrick. It features a detailed, realistic illustration of a hawk landing on a branch with its wings spread wide against a textured, light grey background. The cover includes a quote from Paul Theroux and the handwritten subtitle "life-lessons from a hawk".

Be More Bird: Life Lessons
from a Hawk

29th Of January 2026

A fable for our times, ‘Be More Bird’ chronicles the profound life lessons learned while training a goshawk. It’s a journey into the wild heart of nature and a discovery of the fierce, untamed wisdom within us all.

Listen to Chapter 1

Experience the opening of Be More Bird. Narrated by the author, Candida Meyrick.

BUY AUDIOBOOK:

Listen to Chapter 1

Experience the opening of Be More Bird. Narrated by the author, Candida Meyrick.

BUY AUDIOBOOK:

Listen to Chapter 1

Experience the opening of Be More Bird. Narrated by the author, Candida Meyrick.

BUY AUDIOBOOK:

Critically Acclaimed Novels

A Creative Life

Writing as Candida Clark, I have published six previous novels. 

Voted one of the Observer’s ‘Top Twenty Writers of the Decade,’ and as one of the ‘Best of British’ writers in the New Statesman by Robert McCrum.

Described as ‘one of the most gifted novelists of her generation,’ by Paul Theroux.

What the critics say

J.P Donleavy -  ‘As close as prose can get to poetry.’ John Boorman - ‘says the unsayable, captures the ineffable.’ Max Davidson in the Telegraph - ‘Clark hits the ground running in this haunting first novel … intense, ephemeral sweetness … the nature of love itself is held up to the microscope.'

The Last Look

Published 1998

A coming-of-age love-story that is also a tale of last-chance passion, where two lives collide over an inspirational weekend one hot Summer in Maine.

What the critics say

Of The Constant Eye, the Independent - ’Bringing to mind the best work of Muriel Spark... this is writing that restores the sense of novels being a forbidden treat.’ 'Intense, direct prose... a smart chalking-up of the price life must pay for art’, Condé Nast Traveller

The Constant Eye

Published 2000

Is all life fair game as fictional material? This tense psychological odyssey maps the cruelty of erotic obsession, explored in the pursuit of art.

What the critics say

Geraldine Bedell in the Observer of The Mariner’s Star - 'The Mariner's Star is a love story and, like all great love stories, a death story... a treat to be lingered over... the writing is so evocative that it feels like being inside a painting...' ‘… seizes and holds you by the force of its writing…. By the end, I was making a list of people I intended to give it to.’  DJ Taylor, The Literary Review - ‘Unlike anything else currently being written in England’

The Mariner's Star

Published 2002

Lyrical and seductive, this is both an epic love-story and an anatomy of grief, as a lone woman sets out to sea to find her true North – her Mariner’s Star.

What the critics say

Lisa Gee of Ghost Music - ‘An intense, heady, filigree-woven novel of passion and subtle connections (written) in tension-building prose.’ ‘A virtuoso set of variations on the theme of time, intricately structured.’ - The Independent

Ghost Music

Published 2002

The death of a Jewish actress, a body in a bog: two murders, centuries of concealment, lies and loves; the echoes of the past resonating in the present.

What the critics say

John O’Connell - ‘Taut, meticulously structured … charged with romance. … Clark does Elizabeth Bowen even better than Ian McEwan in his country-house novel, Atonement.’ Geraldine Bedell - ‘a compelling psychological thriller. I read it in a couple of sittings, gripped.’

A House of Light

Published 2005

A young photographer is caught up in an international web of deceit that unravels close to home. Who can she trust, when even her camera appears to lie?

What the critics say

Jane Ridley in the Spectator - ‘a storyteller of exceptional skill … knows just how to rachet up the tension to make this a country-house novel which is a truly gripping read.’ John O'Connell - ‘prose that’s both economical and expansive in the manner of mid-period Iris Murdoch … thrilling dexterity … elegant high style.’

The Chase

Published 2006

Set on the first day of the ban on fox-hunting in the UK, politics, love and violence coincide. An English country house drama, with a thrilling twist. 

Beyond the Novel

journalism, short fiction, screenwriting

Alongside my novels, I have written film scripts, published poetry and short fiction, which has appeared in anthologies and as dramatisations on BBC Radio 4. I have also written journalism for numerous publications, including Elle, Vogue, the Evening Standard and the political network, openDemocracy.net and been a regular book reviewer for the Telegraph, Observer, Guardian and Financial Times.